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Laura Jane Grace
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Laura Jane Grace
At War With The Silverfish
“These are songs of late-night madness and loneliness, orphan songs that came wandering in looking to feed like insects,” Laura Jane Grace says of her new EP.
Half recorded at Grace’s TinyQuietStudio in Chicago and half recorded at Electric Eel in St. Louis, and mixed by her Devouring Mothers bandmate Marc Hudson, At War With The Silverfish finds Grace in a range of stripped-back, poignant modes that amount to an honest and holistic account of our shared humanity. Unafraid to spotlight open wounds and tangled feelings, Grace conveys the distinctive pluck that has defined her work with Against Me! and The Devouring Mothers, but with the intimate energy of home recording with an acoustic guitar. The album is not a clarion call, but a tender invitation. It is a necessary capsule of a woman’s artistic pulse; love, longing, and loneliness told in affecting turns of phrase.
“Three of hearts/Two of them are broken/One of them is gold/All of them are worthless,” she sings in the opener “Three of Hearts,” admitting later that she’s the “…surest sucker that you’ll ever see.” This vulnerable posture drives much of that album, like on “Lolo 13,” where Grace pines for a love she never had, and on “Yesterday Pt. II,” where she remembers a lover’s goodbye with visceral intensity. “I know I sound insane,” she repeats three times on the latter, imparting anxiety and resolve at once. It’s a device she employs through the record, deftly illustrating the mental gymnastics on the roads to self-doubt and self-acceptance.